Artist - Marvin Cone

Art Collection

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  cone_-_French_Village cone__-_Prelude cone_-_RueSufflot-thumb
Evening Light,
French Village
Prelude Rue Sufflot

Marvin D. Cone    

1891 – 1965

Marvin Cone was born and raised in Cedar Rapids, where in 1906 he began a lifelong friendship with Grant Wood. They both graduated from Cedar Rapids Washington High School in 1910. Cone went on to Coe College, graduating in 1914, and then studied for several years at the School of the Art Institute of Chicago. World War I interrupted his studies, and he left for France in 1918, where he served as an interpreter. In 1919, Cone studied for about five months at the École des Beaux Arts in Montpellier, France. When he returned to Cedar Rapids that year, he continue to pursue his interest in art. While he briefly considered commercial art, Cone chose instead to accept a position teaching French at Coe College for the 1919-1920 academic year and remained there for more than four decades.

In Cedar Rapids, Cone quickly renewed his friendship with Grant Wood and resumed his active involvement with the local Art Association (now the Cedar Rapids Museum of Art). Cone and Wood went abroad together in the summer of 1920, hoping to improve their technical skills. The visit proved influential, resulting in a stunning series of impressionistic views of picturesque cityscapes and landscapes, Paris streets and gardens, and the French countryside. Architecture and landscape fascinated Cone for the rest of his life. He returned to Paris with his wife Winnifred in 1929 and traveled to Mexico in 1939.

Marvin Cone sought to evoke his inner vision of nature rather than to create a realistic depiction of the rural landscape. To Cone, nature was a vehicle for revealing certain truths. He once said, “The purpose of art is not to reproduce life, but to present an editorial, a comment on life…The artist does not set out to imitate nature. What would be the purpose of that? Let the camera with its clever mechanism imitate. Art, such as poetry, music, and painting, is simply a portion of the experience of the artist. When we actually see ideals, they become real to us. Art traces an abstraction and makes it audible or visual. It symbolizes the whole of life. We believe in something we can see.”